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Thursday, April 27, 2017

Akshay Tritiya - Not just a Shopping Festival!


Akshay Tritiya is here and you must have seen jewelry stores and car show-rooms around your area flashing special offers and discounts so much that it may seem that the day is only about buying stuff. But there’s more to this festival than just buying gold or expensive assets! 

Akshay means undiminishing and Tritiya implies the third day of the bright half of the Hindu month of Vaishakh. The beginning of this month was celebrated by Punjabis as Baisakhi, Bengalis as Pohela Boishakh, Biharis as Satuani and as Bihu by the Assamese. The Tamilians celebrate it as Puthandu, Malyalis as Vishu, and Odiyas as Vishuva Sankranti. Needless to say this month is extremely important for many people in the country and Akshay Tritiya also happens to be an important day of this month.



It is considered auspicious for starting new ventures as anything that is initiated today is expected to grow exponentially. This is the reason you see people going on a shopping spree since they believe accumulation of wealth would attract more of it in the future!




If we move away from the materialism and come to the spiritual significance of the day, Akshay Tritiya is believed to be the day when Lord Parshu-Raam, the sixth incarnation of Lord Vishnu was born. We know Raam-Navmi and Krishna-Janmashtami fairly well but the birthday of this particular Avatar of Lord Vishnu somehow doesn’t find that much importance today. One reason for this may be that Lord Parshu-Raam is associated with a lot of carnage and bloodshed, which is difficult for an ordinary person to digest. But if we actually analyze his life, we realize that this simple Brahmin boy had no option but to turn into a killing machine, for the purpose of ridding the earth of a race of corrupt and tyrant rulers.


 {Check out his inspiring story here - https://amzn.to/2HxYG5h}


Lord Parshu-Raam was born in the Treta-Yug, the second age in the Hindu cycle of time that consists of Satyug, Treta, Dwapar and the current Kaliyug. He was the son of a Saptarishi called Jamdagni, and his wife Renuka. Again while we know the birth place of Shri Raam as Ayodhya and that of Shri Krishna as Mathura, many people do not know where Parshu-Raam was born. The son of Jamdagni and Renuka was born in a small Ashram at the top of a hill called Janapav, near the city of Indore in Madhya Pradesh.

Unlike the bustling cities of Ayodhya and Mathura, Janapav is located on an obscure hill that is covered with lush green forests that give rise to the river Chambal. There is a small temple at the top and a new, bigger one is coming up with the help of donations by the few people who visit it infrequently. {You can check out this place here - Finding Parshuraam}




Another important aspect of Akshay Tritiya is that Rishi Ved-Vyas is believed to have started reciting the Mahabharat on this day. Vyas did not write the epic himself but took the help of Lord Ganesh to pen it down while he himself dictated. It makes sense that the learned sage would have chosen this auspicious day for beginning his mega epic as this is one of the three days of the Hindu calendar when you do not have to wait for a specific muhurat to start something new.




The day is also associated with another character from Mahabharat – Shri Krishna – who helped his poor friend Sudama this day. The story is a beautiful reminder of the special bond that friends share irrespective of their social status and sets an ideal for friendship in today’s materialistic age. Shri Krishna helped his poor childhood friend in a way Sudama couldn't even have dreamed of and it is an inspiring lesson for all of us.



There are other important events associated with the festival as well but let us limit ourselves to these for today. As I mentoned above, Akshay Tritiya is also one of the three days including the day of Yugadi and Vijay Dashmi that are considered auspicious for any new activity irrespective of the muhurat.

So today, don’t just buy expensive stuff and instead take the initiative to finally start the project you have been postponing for a long time. May this day be auspicious for all your beginnings!



Aum Shanti: Shanti: Shanti:


Saturday, March 4, 2017

The Other Kailash

So here I am writing a new post on this blog after more than a year.. What can I say, the usual travel and work related stuff perhaps kept me away plus I am more active on my FB Page nowadays {https://www.facebook.com/Dr.Vineet.Official/}. Have hardly been getting any time for elaborate articles lately but there is no way I could have kept myself from doing this one!

When I was a kid, like many other Hindu children, I knew that KAILASH was the abode of Lord Shiva. During all these years, the name brought in front of my eyes images of a beautiful pyramidal peak in the Himalayas, kissed by the clouds and adorned by golden rays of the rising sun.


The majestic Mount Kailash




It was only a few years back that I came to know of the existence of the other Kailash, a man-made architectural wonder in the heart of Maharashtra. Of course I had read about Ajanta & Ellora caves in school but never gave them much thought. It was only because of someone who came in touch with me through my other blog on mythology {Decode Hindu Mythology} that I was reminded of it again. Christel Pilz, the lady I am talking about, is a senior journalist from Germany who is now retired and settled in Thailand and is extremely passionate about the Kailash Cave Temple. She has become a dear friend over the years and is responsible for igniting the spark for this magnificent place in my mind.

The Ellora Cave Temples of Maharashtra are amongst the biggest rock-cut religious complexes in the world. They are a UNESCO World Heritage site that shelters over 100 Hindu, Buddhist and Jain caves out of which 34 are open for public viewing. Ellora itself is located about 30 Kms from Aurangabad which also happens to be the nearest airport as well as the biggest city in the vicinity. If you are coming by road, Aurangabad is roughly 330 Kms from Mumbai and there are a few train options available as well. I stayed at Aurangabad with my good friend Tanmay who was kind enough to take me to this wonderful place, but you can also opt to stay at Ellora at the govt. guest house.


How to reach Ellora
Map of Ellora Caves
(Click on the image for better resolution)


While the historical value of all these caves that served as resting places for monks of three different religions can not be undermined, out of all these, the cave number 16 is undoubtedly the most magnificent and is known as the KAILASH TEMPLE


Kailash Cave Temple - Cave No. 16, Ellora
{Image courtesy Ganesh Umrikar}


None of the other caves come even close to the grandeur of Kailash and if the image above didn't fill you with curiosity yet, let me tell you a little more about it in the following paragraphs. As you pass through the common ticket counter and move towards the dusty brown caves, KAILASH appears right in front of you, a dark rock-cut structure contrasted by the green lawns in front of it. But here lies the catch, it is NOT a rock-cut temple like any other that you may have seen!


Entrance of the Temple


Unlike other cave-monasteries or temples that explore only a part of the original structure, and are worked upon from bottom upwards or inwards, KAILASH has been given shape by hundreds of artisans, painstakingly chiseling out an entire mountain from top to bottom over a period of more than 200 years. Some legends talk about the temple being constructed by Vishwakarma, the architect of the gods in a single night while others mention that its construction happened in a span of 18 years perhaps by the hands of aliens!


A Video on the mysterious Kailash Temple



Most historians believe it is more likely to have taken at least ten generations for the work to get over. This implies, that even while the kings changed, dynasties changed and even the artisans changed, the work on KAILASH did not stop. Surely, there was something that kept them going on? Perhaps, the desire to recreate the sylvan abode of Lord Shiva in the completely opposite environment of Marathwada. Without getting into the debate of who constructed it and when, for there are numerous YouTube videos you can watch on the topic, I wish to focus only on the beauty of the temple in the current post. Before entering, I would urge you to get an outside view by climbing on the hill from which it has been carved out. Trust me the real grandeur of the structure can be witnessed only from an altitude.


View of the temple from above 



Climbing down from the other side, you are now ready to truly appreciate the magnificent art of Kailash starting with the entrance. The massive structure resembles a chariot that is designed to carry the main deity to whom the temple is dedicated. I was lucky to have Yogesh Joshi, a local Indologist to take us through the significance of every single sculpture, and I advise you to take a guide if you truly wish to understand what it all means. 

As one moves towards the entrance from the left hand side, the Ashta-dikpals or the Eight Guardian Deities greet the visitors. For those who do not know, these eight keepers of the directions are:

1. INDRA - Guardian of the East
2. AGNI - South-east
3. YAMA - South
4. NIRRIT - South-west
5. VARUN - West
6. VAYU - North-west
7. KUBER - North
8. ISHAN - North-east

On the right wall are heavily damaged sculptures of Lord Vishnu's incarnations like Varah, and Narasimha. It is said that the fanatic Mughal king Aurangzeb (who gave his name to the nearby city and is also buried close by) tried his best to demolish this temple but did not succeed in causing any permanent harm. 


Lord Vishnu's sculptures on the outer wall



As we enter the gates, we are flanked by the statues of Rishis Ved-Vyas and Valmiki on the left and the right respectively. It is important to note this because the left side wall of the main temple inside is decorated with panels from Mahabharat which was written by Vyas, while the right wall has depictions of the Ramayan composed by Valmiki - such attention to detail! 

The very first sculpture that you notice as you enter is the Gaja-Lakshmi, the Goddess of Fortune flanked by elephants showering her with holy water. Although again heavily damaged, the beauty of this panel is that the elephants are shown in motion, their ornamental chains swaying with their movement as they pass on the vessels of water to each other!


Gajalakshmi facing the entrance



The right panel of the entrance sports an image of Mother Durga chastising the demon Mahishasur while the left panel shows a massive Ganpati. We moved in a clockwise direction and were greeted by another better preserved image of the fight between the forces of darkness and Durga followed by a set of unlikely sculptures in a Shiva temple - a panel depicting Kamdeva and Rati, the Hindu god of Love with his consort. It may be worthwhile to remember that it was Lord Shiva who had burnt the Hindu version of cupid to ashes for daring to disturb Shiva's meditation so his presence here was entirely unexpected for me!

 Goddess Durga battles the demons
An unexpected panel



One can't help but notice the attention to detail as you move along the perimeter coming to the shrine of the three rivers. To my knowledge, this is the only ancient temple that depicts such life-like statues of Ganga, YamunaSaraswati together! The fluidity of their bodies and the movement of their clothes is mesmerizing and they stand together as one, river goddesses blessing a land that has seen some of the worst droughts in the country.


Saraswati, Ganga and Yamuna river goddesses together



Further moving along the left perimeter, we see a pillared walkway that continues all the way to the opposite side housing within it multiple sculptures depicting stories of Shiva as well as Lord Vishnu's ten incarnations, the Dashavatar. While they are worth exploring for sure, what arrested my attention is the outer wall of the main sanctum that is embellished with some finely executed artwork. The Vijay Stambh or Victory Tower flanked by a broken elephant catches your attention and at various places you can also notice paint that has been washed off by years of rains and exposure to the elements. 



The Dancing Shiva - Nataraja



All along the base of the shrine there are massive elephants and Yalis supporting the structure above them. I also spotted a few Sphinxes or Purush-mriga as they are called in Sanskrit, and marveled at the amount of precision required to carve such huge animals right next to each other from a single rock. Did I mention earler that KAILASH is also the BIGGEST MONOLTHIC STRUCTURE in the WORLD! None of the sculptures that you see have been added later rather everything, from the angels flying above to the elephants below has been carved out of the same rock with painstaking precision.


The Elephant Plinth



The actual shrine is on the first floor and houses a massive Shivalingam - the aniconic symbol of Shiva who had for the very first time appeared as a pillar of fire. Inside you can also find a well-preserved painting of Nataraj done on the ceiling and even though it is quite small, it is absolutely gorgeous. On the right outer wall of the shrine there is another intriguing sculpture that has given rise to another ancient aliens theory. It is a sculpture of Ravan carrying Sita ji away in his Pushpak Viman which surprisingly shows Pushpak not as a spacecraft, but as a jetpack! Again there is a video on this and I am sharing the same with you here.


Ravan flying on jetpack confronted by jatayu
Video on this particular sculpture



There are numerous mysteries surrounding KAILASH and many people believe that the temple was built not by humans but by extra-terrestrial beings. The top of the Shrine supports an X shaped structure flanked by four lions which is visible from the sky. Some people claim that it was a sign for guiding ancient aircrafts to land while others talk about the numerous underground tunnels that exist below the temple and wonder what they contain. 

Whatever be the truth, the KAILASH of Ellora is certainly as mysterious as the Kailash of the Himalayas & one can only imagine how this place would have looked when it was first created. We can get a glimpse of that from a recently released Malayalam movie - Veeram and I share a few stills that capture the mood of the era brilliantly.







There are many other images that I can share with you to show the beauty of this stunning feat of ancient architecture but I would limit myself here to one last image of Shiva, the patron deity of the temple shown as Bhairav, the terrible one. DO visit Ellora at least once in your lifetime, for places like KAILASH do not just belong to one region or religion but hold the deep mysteries of humanity's past.





For all those who are interested in knowing more about this historical as well as mysterious heritage, do check out the page SAVE KAILASH created by Christel Plz, myself and our friend Avimanyu  - {https://www.facebook.com/groups/SaveKailash/}. You can also sign the below petition that we have started to bring the Indian government's attention to this structure and the need to restore it back to its original glory.


Aum Namah Shivaye!

Monday, December 7, 2015

Captivating Cambodia!

So here I am, back from the exploration of an ancient Hindu temple recognized as the biggest religious complex in the world (even bigger than the Vatican) yet one that doesn't elicit recognition from 99% of Hindus!

Those of you who have been following my writings know the place am talking about but for others let me give you a short introduction - Angkor Wat is a 12th century grand temple complex situated in Siem Reap, the second biggest city in the Kingdom of Cambodia.

This place draws close to 2 million tourists every year yet very few of these are Indian. Blame it on our Nehruvian secularism or north-centric textbooks, the glory that the kings from southern part of India achieved by spreading Indian culture to distant seas is largely ignored in our historical narrative. Hardly any person I have met in India knows about the temple's existence and even fewer know that it was built in dedication to Lord Vishnu.

When I reveal these facts they are surprised to know Indian influence spread as far as Cambodia for we have never heard of these temples in all the years of growing up. For most shopping-obsessed Indian tourists, S-E Asia ends at Bangkok and Singapore and no one is really bothered to explore the region beyond even though Phnom Penh, the capital city of Cambodia, is just about an hour's flight from most frequented destinations of KL, BKK and S'pore.

In order to do justice to the narrative, let me begin with the history of Indian/Hindu influence in this part of the world. The oldest records of a Hindu kingdom in the region come from the Chinese who called it the Kingdom of Funan. Indian texts refer to the same region as Suvarnabhumi and the Khmer Krom people of southern Vietnam believe that they originate from this golden land which covered Myanmar, Thailand, Lao, Cambodia, southern Vietnam, Malaya, Sumatra and some other parts of Indonesia!


Approximate extent of the Kingdom of Funan



Those Indians who have visited Bangkok must have wondered at some time why its International Airport is known as Suvarnabhumi (a Sanskrit name) and now you know the reason! Perhaps you may be even more surprised to know that Funan (Vnom in Khmer) had cities named Bhavapura, Aninditapura, Sreshtapura and Vyadhapura.

An inscription found in My Son region of Vietnam (which BTW used to be a large site of Shiva temples), talks about a Brahmin king Kaundinya who married a local Naga princess called Soma, and became the ruler of this empire by planting a spear he had obtained from Dronacharya's son Ashwatthama. All this is mentioned in the inscription dated to 648 CE and am surprised we in India have never heard of it!

Khmer legends talk of the Naga king giving the young couple his blessings and conferring on him the title of KAMBUCHEA THIPDEI (Kambuja-Adhipati in Sanskrit). Even today, many such inscriptions from Vietnam as well as Cambodia survive in their museums that have been written in the Grantha script popular in ancient South-India to write Sanskrit. Before I forget, I must recommend a visit to the museum in Siem Reap for a look at some magnificent specimens of ancient Hindu-Cambodian Art!


Larger than life statues of Lord Vishnu, Shri Raam and Balraam at National Museum
Sanskrit inscription in the southern Grantha script


The story of Kaundinya is very similar to that of a man named Huntian whom Chinese records mention as arriving from the southern lands and marrying a local princess to become the king of the land so many scholars believe the two to be the same person. To cut the long story short, this Brahmin from India (who might very well have belonged to the Pallava Dynasty) is credited to have changed the rules in his adopted kingdom to confirm to the system followed in ancient India. Sanskrit, the official language in the Indian kingdoms of yore was made the official state language in Funan as well.

The affect of all this influence was that even after Kaundinya, various Hindu dynasties began taking shape and after the last ruler of Funan, Rudravarman died in 545 CE, the Khmer (ethnic Cambodian) Kingdom of Chenla took over. Its kings had names such as Bhavavarman and Viravarman, the most famous queen of the dynasty was Jayadevi and the biggest inhabited city was Ishanpura (Ishan is an epithet of Lord Shiva). 

By now you must have understood the solid Indian influence on the region and archaeologists have found considerable effect of not only Pallavas but also the northern Gupta Dynasty. This mixed Indian influence is perhaps most evident in the architectural marvels, especially the temples that show the typical North-Indian Nagar style of architecture though the cardinal entrances retain decent-sized Gopurams like South-Indian temples. The name Angkor itself is derived from the Sanskrit word Nagar and the city in which it was constructed was earlier known as Yashodharapura.


Angkor Wat located in the city of Yashodharapura



Though archaeological evidence shows the continuity of civilization in the region from at least 4th century BCE, these particular temples were commissioned by King Suryavarman II in early 12th century in honour of his patron deity Lord Vishnu and is one of the rare west-facing temples in the world. The five spires of Angkor Wat depict the central mountain of Meru, surrounded by its subsidiary peaks widely considered the holiest mountain in Hindu, Buddhist and Jain mythologies, somewhat akin to the Greek concept of Olympus {for more on Meru read this post - Heaven at the North Pole}.


Construction of Angkor Wat



Spread in an area of 1626000 sq. km the temple sports more than a thousand Apsaras and scenes from various battles mentioned in Hindu scriptures including the Ramayan, Mahabharat, Deva-Asur sangram and even the Samudra-manthan. Local legends talk about it being constructed in a single night by the divine architect Vishwakarma on the orders of Lord Indra!


Angkor Wat Temple



Surrounded by its massive moat, the temple survived encroachment by the jungle and is the best preserved of the lot though referring to my previous post I must say that till date I haven't seen any Hindu temple from the ancient period as beautifully preserved as the Khajuraho group of temples in Madhya Pradesh (Read Khajuraho - Jewel of Indian architecture). Perhaps the biggest attraction of Angkor Wat is the prodigious size and to the chagrin of my co-travelers I was completely lost capturing every inch of its massive inscriptions.


Fellow travelers at the entrance to the temple




The best time to visit is the sunrise which is fabled to be mesmerizing but may or may not turn out to be that great depending on your luck and the scattering of clouds. Twice a year, at the time of summer and winter equinox, the Sun rises from right behind the center of the temple and for photography lovers it can turn out to be a great opportunity to click some lovely shots. 


The fabled sunrise at Angkor



Entering from the west, you should take a darshan of the Lord Vishnu idol which was most likely at the center of the temple before it was turned into a Buddhist shrine. Like many other Vishnu idols in Cambodia, this one is also 8-handed and is clothed in yellow, that being the favorite color of the God (Pitambar-dhari).


Lord Vishnu idol at Angkor Wat



After the darshan we walked the considerable distance to the inner gallery which is at a higher level than the outer one and contains massive relief work on its walls. We turned right, watching battle scenes from the Mahabharat on the southern side of the western wall, followed by scenes from the life of Krishna on the southern wall that merged into a grand procession of the king Suryavarman II who had commissioned the temple, followed by the depiction of numerous Heavens and Hells in Hindu mythology.


Inscriptions on the western wall
Arjun and Krishna in the battlefield


The Eastern wall shows a massive relief of the Samudra-manthan with 92 Asuras & 88 Devas trying their luck at extracting the elusive Amrit from the ocean by churning it using Mandar Parvat and serpent-king Vasuki. Lord Vishnu oversees the entire process standing in the middle and helping the process while Indra flies above, trying to stabilize the mountain which is supported by the Kurma Avatar of Lord below..


Lord Vishnu in the middle of the Churning of the Ocean



The walk through the massive galleries is pleasurable and gives a respite from the fierce sun outside but be prepared to slug a lot since there is a lot of space to cover before you even get to the central shrine. The maximum amount of carvings that you want to see are in this middle gallery itself so once you are done with this you have more or less covered the major historical engravings of Angkor. The northern wall shows various Deva-Asur battles and shows Lord Vishnu repeatedly on the back of Garud while vanquishing the forces of evil. In one particular depiction Krishna is shown riding the Garud instead of Vishnu and fighting with demon Banasur who has a thousand hands.


Lord Vishnu on Garuda leading Devas in a battle with Asuras
Banasur riding a chariot pulled by three lions



Coming back to the western wall we gaze at the northern portion of it (that we had skipped earlier by turning right at the entrance) and find a heated battle scene from the Ramayan where Lord Raam is fighting Ravan perched on the shoulders of Hanuman to get a vantage point against the demon's massive chariot while the Asuras and Vanars engage in an intense skirmish. Due to the reflected light and differing shades of stone used, some of the carvings are not that easily decipherable and it requires some amount of patience OR a good guide to give you a sense of what they portray.


 Shri Raam fighting Ravan perched on Hanuman's shoulders



After you are done with the outer gallery (100m x 115m), you shall be completely exhausted especially if you are not too used to walking. The weather in Siem Reap stays hot most of the months and its advisable to carry your water bottles during the circumambulation or parikrama. Once you have finished it, there's not much to explore in the innermost gallery except the ubiquitous Apsaras and we headed straight to the queue (yes, there's a long queue for entrance on most weekends) for entry into the sanctum sanctorum which is at a still higher level. 


The long queue for darshan



Unlike most Indian temples though, once you have climbed the steep stairs to reach the 65 m high central spire, you are given a leisurely 15-20 minutes time to explore it and trust me that's good enough to get a sense of how magnificent this central portion of the temple would have been in its heyday. The idol of Lord Vishnu now positioned in the outer gallery used to occupy the central part which now houses statues of Buddha. The view from above is majestic and you truly feel as if you are on the top of the world.

It is not difficult to imagine how impressive this temple would have been when it was built. One just wishes it could be maintained to a better level to reflect that grandeur but nevertheless the hours spent here are worth all the wait. Once your time is up, you shall be politely asked to leave so that others who are still in the queue can get an opportunity to climb up. Taking our leave from the numerous Apsaras thronging the walls of the temple, we stepped down and slowly walked out of the massive enclosure filled with a sense of restrained grandeur. 


Apsaras on the balconies and windows
 



After finishing with the main temple, a lot of people rush to the other important temples of BAYON and TA-PROHM and my local friends wanted to do that as well but I wouldn't advise that! After all that walking and waiting in the sun, you should take a break and head to one of the eating joints behind the parking lot opposite to the temple. For the vegetarians, there is even an Indian restaurant there that serves quite good food and you can relax, drink mango lassi and cool down your body after the morning excursion.

After a hearty lunch, we headed to the temple of Bayon which is one of the most mesmerizing sights I have ever seen. A ten minute drive from Angkor Wat brings you to a road with tall trees and suddenly you encounter a gate with massive faces peering at you - this is the entrance to the ancient Angkor Thom, the capital city of King Jayavarman VII and the road leading to it again shows the Devas and Asuras in the churning mode.


Entrance to Angkor Thom


The temple of Bayon sits bang in the middle and as you get closer to it you realize how utterly amazing it would have been when first constructed! The temple spires are covered with a profusion of faces, smiling genially as if they are aware of some naughty secret.. as you stroll amidst these giant faces you can almost see the features move with the play of light and I could imagine what surreal effect this place would give in the night!


Surrounded by giant happy faces 



A lot of speculation has gone in to figure whom the faces depict and most commonly cited is the name of Lokeshwara, a Bodhisattva who is given many forms in Mahayana Buddhism. To me it seems more likely that they portray the face of Shiva in a trance especially since the depiction of Lokeshwara seems to have evolved from Shiva as well. The Bodhisattva's female form is known as Chundi which is a direct play on Goddess Durga and its depiction with thousand arms holding weapons is a clear pointer towards the adoption of the Supreme Goddess in the Buddhist pantheon by turning her into a Bodhisattva. Also, I found in one of the shrines a stone Shiv-linga which kind of seals the deal for me!


A 12th Century Lingam
King Jayavarman worshipping Shiva
 Art by Maurice Fievet


What is more interesting to note is that the faces actually resemble the bust of the king Jayavarman VII himself - clearly not the first king to show his people that he was a god-send for them. You should keep a couple of hours for this temple if you wish to truly absorb its atmosphere but if you don't have too much time on your hands, you can move to the next stop of Ta Prohm which is another fifteen minutes drive ahead. 


Leaving from Bayon



If Bayon gives you a surreal feeling, Ta Prohm (Old Brahma) shall definitely appear like an other-world landscape! This place is completely run over by the jungle and is being restored in collaboration with the Indian govt. Gigantic trees rise 50-60 metes high spreading their roots like the tentacles of a giant octopus, steeping the whole place in an alien atmosphere.


The surreal landscape of Ta Prohm



The python like roots of the so-called Snake trees almost look alive and you can see that they are not done with the ruins yet. They are still spreading and gaining more ground to reclaim the land man had taken away from nature and you can see at multiple places pillars having been erected to support the ancient structure and counter their weight. Adding to the mystery of this place I found one more element of surprise.. a dinosaur like animal carved on the side wall of a doorway that also shows other mythical beings. Unlike the other animals though this one seems quite realistically close to a Stegosaurus!

Dinosaur at Angkor?



Modern science does not believe humans and dinosaurs have ever come in contact but is there a possibility that deep in the jungles of Asia, some species of dinosaurs survived till the emergence of man? No one knows for sure but this carving certainly adds more mystery to this already mysterious place! 

Thinking of mysteries, I also remembered the time spent at the river of 1000 Lingas which is nothing more than a picnic spot for the locals though its true significance could be appreciated only by someone who is conversant with Hindu mythology. The mountain on which it exists was known in earlier times as Mahendra-Parvat and if you know the story of Parshu-Raam, the 6th incarnation of Lord Vishnu, you would remember that he was a disciple of Lord Shiva and after exterminating evil Kshatriyas 21 times, sat down to meditate on a mountain of the same name..


The river of 1000 Lingas



Driving back to the hotel I felt enthralled by all that I had seen during the day - a temple constructed in early 12th century in far-off Cambodia for a Hindu god brought to them by an Indian Brahmin who laid the foundation of the earliest economic giant of South-East Asia whose existence is known today through Chinese accounts. A citadel with smiling faces of an unknown god that bears witness to the caprices of human lives. And a magnificent ruin that was rapidly being reclaimed by Nature negating the efforts of thousands of artisans and demolishing the dreams that had been seen by one of the greatest rulers of the region..

Time turns everything into dust... slowly but surely.. Before these magnificent ruins are completely overrun by the jungle or destroyed by some zealots in the name of their own personal God, do visit the place to get a sense of how grand history was in this part of the world. Visit Cambodia and I promise you you'll come back feeling much closer to your own culture.




Happy Traveling :)